What's a haiku?

A haiku is a kind of poem, originally developed in Japan and now popular all over the world.  Today, you can find haiku adapted for any language.

What does an English haiku look like?

An English haiku typically has three lines; the first has two accents in five syllables, the second has three accents in seven syllables, and the last has two accents in five syllables.

On this still hot day,
 only the sound of soft grass
  in the beaks of ducks. (Claire Pratt)

the flick of high beams ---
 out of the dark roadside ditch
  leaps a tall grass clump (Paul O. Williams)

Using all seventeen syllables yields graceful English, but the full English haiku form is then longer than the original Japanese haiku form.  There can be fewer syllables as long as the accents are there.

 The white spider
  whiter still
   in the lightning's flash (Geraldine C. Little)

Jeep tracks
 over deer tracks
  in new snow (William R. Mosolino)

A 'kireji' (cutting pause) usually divides the haiku into two distinct rhythmic units; either 5 beats followed by 3 (when the kireji isolates the last line, as in the previous example), or 3 beats followed by 5 (when it isolates the first line, as in the next example).

the aster blossoms.
 the glittering of dew drops
  'til after noontime. (Karel Hellemans)

where peonies bloom
the tomcat lurks and watches
    falls asleep. (Beverly White)

In haiku, grammar is pared down. Incomplete sentences abound. Use of articles and prepositions is minimal.

What can you say in just three lines?

Traditionally, a haiku recreates a contemplative natural experience.   Although short, a fine haiku causes the reader to experience its subject at length.   The resulting sensations are the whole point of the haiku.  The rhythmic structure of a haiku yields a sense of incompleteness, inviting the reader to wait with it.

Just enough of rain
  To bring the smell of silk
  From umbrellas (Richard Wright)

Are there any other 'rules' for writing haiku?

Traditionally, the experience explored in the haiku must take place in a defined season --- spring, summer, fall, or winter.  The season is revealed, often quite subtly, by a 'kigo' (season word) in the text. The sensations induced by the haiku are triggerred by the seasonal cue as well by the particular subject matter.

Only scattered stars,
  till the moon wakens clusters
  of saguaro flowers. (Foster Jewell)

All the examples above are taken from "The Haiku Handbook --- How to Write, Share, and Teach Haiku", by William J. Higginson, which you can order here.

 

New Student Haiku:
the recharging phone
ringing loudly all day long
---but never for me
Shimon Ochs
Watery Venice
enemy of Genoa
--- Marco Polo's home
Moishe Sacks
In the wedding hall,
a musician powers on
---plays the Yamaha
Elchonon Mandel
White beach, gentle waves
warm sun, seashells, sandcastles
---Atlantic Ocean
Ezra Zimble
Summer construction
big noisy digging machines,
busy men at work
Gershon Gluckin
Rich Marco Polo
Slept in Kublai Kahn's palace,
Twenty years went by
Yonatan Cohen
Summer day, two tigers,
white and black, orange and black
---locked metal gates
Moishe Sacks
Along the Silk Road
gunpowder and persian rugs
jade coal and spices
Shimon Ochs
silkworms are eating
leaves on the feeding table
---spinning white cocoons
Gershon Gluckin
Trees on a shoreline
Land of grain, grapes and timber ---
and stories back home
Ezra Zimble
a lion on a rock
inside a white metal gate
roaring loud and long
Yonatan Cohen
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